Raihan Vadra exhibition row: As Priyanka Gandhi, Congress leaders allege political motive, Bikaner House confirms violation of established guidelines for cancelling the event

A controversy erupted after Raihan Vadra, son of Priyanka Gandhi Vadra, took to social media to complain that the management of Bikaner House, which is under the Rajasthan government, took down several of his images chronicling recent opposition protests in India on 21st October (Wednesday). The event titled “No Idea Is Final” was supposed to take place between 22nd and 25th October.

Notably, Bikaner House has explicitly mentioned that its premises cannot be used to showcase content involving nudity, communal themes or political material, and any violation would result in the cancellation of the program.

“For all events and exhibitions conducted at Bikaner House, exhibits including paintings, sculptures, installations, and other artworks must not contain nudity, communal themes, or political content. Any such exhibit will be removed immediately. Any organiser found violating these guidelines shall have their event cancelled immediately without any refund,” the policy clearly stated.

Image via Bikaner House Booking Policy

“Exhibitions hosted at the venue are meant to focus on culture and wildlife. Raihan Vadra has held exhibitions at Bikaner House on several occasions in the past. However, this time, the photographs that were asked to be taken down did not fall under either category and instead carried political messaging,” Bikaner House officials conveyed while talking to NDTV.

“Some photographs displayed were found to be inconsistent with the policy of the Bikaner House Management Society. Accordingly, their removal was requested. Bikaner House is a public cultural institution dedicated to the promotion of art and culture. The exhibition and associated activities must comply with the Bikaner House Management Society Policy. The photographs that are consistent with the Society’s policy have continued to be displayed,” the house’s management likewise highlighted.

According to Raihan, he was ordered to either face cancellation or remove 75 of the 105 photos from the presentation, but he refused. A total of 74 images were reportedly removed.

Raihan wrote, “Five hours ago, the Bikaner House Management forced me to remove the bulk of the artworks displayed in my show ‘No Idea Is Final,’ which opens this evening at 7 pm. The photos were of the youth protests in Delhi,” owing to the objectionable content.

He further claimed, “They also directed me to remove two photos of the Tiranga. I have refused. I will not take down a picture of the Indian flag. The show will go on in part for now, but I will find another venue and display the entire collection of protest photos.”

Predictably, Priyanka Gandhi Vadra also defended her son, completely glossing over the evident breach of the venue’s guidelines and blaming the government. She wrote, “When someone with power becomes afraid of the expression of another, he doesn’t know it, but he has already lost the very power he is trying to protect.” She then added, “You stand for what is true, and everything beautiful will find its way to you. I am proud of you, always will be.”

“What do you think? He is a young boy, but I suppose you know, they are muzzling the voice of the youth across the nation. So it’s only expected that they’ll do it to anyone. His photographs of the protests, not a single commentary, not a single thing that was derogatory towards anyone, just a visual documentation of the protest. So, I mean, clearly this is the way they think. It’s not a democracy anymore. Today it’s him; tomorrow it’ll be another artist,” Priyanaka alleged.

Senior Congress leader Pawan Khera echoed the same sentiment, insisting that the government was afraid of inconvenient truths and wanted to censor them rather than confront them. He added, “Articles, photographs, artworks, books — anything that challenges its carefully manufactured narrative is silenced.” However, he too conveniently overlooked that the matter concerned non-compliance with Bikaner House’s established guidelines and had nothing to do with the government.

Congress spokesperson Supriya Shrinate claimed that the government was afraid of “the truth, the anger, and the disappointment it has captured,” also disregarding the fact that Bikaner House had hosted Raihan’s exhibitions on previous occasions. It denied permission this time because the content contravened its established guidelines, which prohibit political messaging. Had he adhered to these rules, there would have been no reason for the venue to deny him the opportunity to display his work again.

While Congress leaders tried to assign a political motive to the development, the Bikaner House has highlighted that it had hosted Raihan’s exhibitions on multiple occasions in the past. This time, however, the content did not fall within the permissible category and instead carried political messaging, contrary to the established rules. The action was therefore taken in accordance with its existing guidelines.

Everyone is required to abide by the rules, and anyone violating them would have been meted out the same treatment. However, perhaps Congress leaders who are accustomed to expecting special treatment for the party’s first family expected the same privileges to be extended to its younger generation as well.