Vivek Agnihotri’s ‘The Kashmir Files’ has received IMDB’s ‘Most Popular Film’ award for the year 2022. The movie has been among IMDB’s list of ’Most Popular Indian Films’ of 2022.
Director Vivek Agnihotri took to Twitter to announce the award received by ‘The Kashmir Files’, a movie that brought to silver screen the horrifying atrocities faced by Kashmiri Pandits in the 90s and their subsequent exodus from the valley.
Happy to receive this priceless award from @IMDb for judging #TheKashmirFiles as the ‘Most Popular Film’ of 2022.
— Vivek Ranjan Agnihotri (@vivekagnihotri) December 14, 2022
Truly a people’s film. pic.twitter.com/gwt95MRxc8
Actor Anupam Kher, who played a central character in ‘The Kashmir Files’, also took to Twitter to announce that the movie has been among the Top 10 most popular Indian movies of 2022.
Happy to share that as per @IMDb #TheKashmirFiles is among the “Top 10 Most Popular Indian Movies Of 2022’. And the ONLY Hindi one. Congratulations to makers of all the other films on the list! It is a wonderful feeling. And as I always say, “ कुछ भी हो सकता है”।जय हो!??? pic.twitter.com/VMopwgsXJS
— Anupam Kher (@AnupamPKher) December 14, 2022
IMDB, the world’s most popular and authoritative source on movies, OTT shows and series, recently released their list of top 10 Indian movies of 2022. Shockingly, ‘The Kashmir Files’ was the only Hindi movie to be in the top 10.
Unsurprisingly, S S Rajamouli’s period action thriller ‘RRR’, which has received two nominations at the prestigious Golden Globe Award 2023, topped the IMDB list, followed by Agnihotri’s ‘The Kashmir Files’.
IMDB determines the list of the popular movies and web series by the actual page views of the more than 200 million monthly visitors to the website.
K.G.F: Chapter 2, Vikram, Kantara, Rocketry, Major, Sita Ramam, Ponniyin Selvan: Part One, and 777 Charlie were other movies in the top 10 list.
The list came out weeks after controversy erupted over Israeli filmmaker Nadav Lapid’s tendentious and unwarranted remarks on ‘The Kashmir Files’, triggering the left ecosystem into once again attacking the movie that brought to the fore uncomfortable reality of the Kashmiri Pandit exodus.
The Kashmir Files
The film takes viewers back to 1989, when due to rising Islamic Jihad, a huge conflict erupted in Kashmir, forcing the great majority of Hindus to flee the valley. According to estimates, roughly 100,000 of the valley’s total 140,000 Kashmiri Pandit inhabitants migrated between February and March 1990. More of them fled in the years that followed until just about 3,000 families remained in the valley by 2011.
The movie which is based on video interviews with first-generation Kashmiri Pandit victims of the Kashmir Genocide begins with the episode of the year 1990 when the then CM of Jammu and Kashmir Farooq Abdullah had tendered his resignation. Abdullah had lost control back in 1984, probably after he had visited a conference in Kashmir and shared the platform with the Jammu and Kashmir Liberation Front’s (JKLF) leader Yasin Malik. Later Ghulam Mohammad Shah, who was supported by the Congress party had replaced his brother-in-law Farooq Abdullah and assumed the role as the state Chief Minister.



Norwegian artist Tonje Gjevjon faces criminal charges, being investigated for saying, ‘men are men, cannot be lesbians’
A woman in Norway is confronted with criminal charges and a possible three-year jail term for claiming that males cannot be lesbians. Tonje Gjevjon, a lesbian artist, was notified by police on November 17 that she was being investigated for hate speech in connection with a Facebook post she made.
In her post, Gjevjon wrote against trans-identified men who term themselves as “lesbians” and denounced trans activists who seek to jail women who disagree with gender ideology. “It’s just as impossible for men to become lesbian as it is for men to become pregnant,” Gjevjon wrote, “Men are men regardless of their sexual fetishes”
She singled out the acts of Christine Jentoft, a renowned Norwegian trans activist who claims to be a lesbian mother and took a job as a spokesman for the country’s biggest trans activist organization, Foreningen FRI.
Jentoft has been at the heart of a conflict between feminist campaigners and Norway’s hate speech statute, which was amended in 2020. The changes, which came into place last year, included the category of “gender identity or gender expression” – a move that women’s rights activists in the country warned would stifle free speech, particularly when it came to the realities of biological sex.
Gjevjon stated that she intentionally posted her Facebook message to draw attention to Norway’s hate speech statute. The legislation was changed in 2020 when the country’s parliament agreed to make hate speech against transgender individuals illegal. Gjevjon is also not the first person to face prosecution for stating the reality that males cannot be mothers or lesbians. Christina Ellingsen, a representative of Women’s Declaration International (WDI) Norway had also earlier stated that men can neither be lesbians nor mothers.
Last year, Gjevjon asked Anette Trettebergstuen, a Labour Party MP, what she proposed to protect the rights of women and girls. She also inquired whether guys might be lesbians. “I believe it is absolutely necessary to place biological sex as the basis in all contexts where sex has legal, cultural, or practical relevance, and that equating sex with gender identity has harmful, discriminatory consequences for women and girls – especially lesbians,” Gjevjon said in her question.
She added, “will the Equality Minister take action to ensure that lesbian women’s human rights are safeguarded, by making it clear that there are no lesbians with penises, that males cannot be lesbians regardless of their gender identity, and by tidying up the mess of the harmful gender policies left behind by the previous government?”
“I do not share a notion of reality in which the only two biological sexes are to be understood as sex,” Trettebergstuen said, “Gender identity is also crucial.” Reports mention that Gjevjon is being forced out of the art world because of her opinions, despite the fact that she had been a prominent part of the music and art establishment for almost 15 years.